261
Aperture
Aperture's Craft Issue explores contemporary photography through Aspen Mays's analogue work, the rediscovered photography of Bauhaus artist Lucia Moholy, and Troy Montes Michie's innovative combination of textiles and thread with photographic imagery.
| Title | Type | Published | ||
|---|---|---|---|---|
| The Emotional Saturation of William Eggleston’s “Last Dyes” In the 1970s, Eggleston’s pictures were called “perfectly banal.” Fifty years later, the int... | Article | 1mo ago | ||
| Inside a Minneapolis Newspaper’s Coverage of the ICE Raids By supporting local photographers and developing ethical guidelines, The Minnesota Star Trib... | Article | 1mo ago | ||
| A Witness to South Africa’s Postapartheid Landscape From her suburban Cape Town studio, Jo Ractliffe reflects on a career spent documenting the... | Article | 1mo ago | ||
| Introducing Jenn Hyland, Aperture’s New Director of Development Editor in Chief Michael Famighetti speaks with the newly appointed development director Jenn... | Article | 1mo ago | ||
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The Emotional Saturation of William Eggleston’s “Last Dyes” In the 1970s, Eggleston’s pictures were called “perfectly banal.” Fifty years later, the int... | Article | - | |
| A Sartorial Chronicle of Moroccan Youth Culture Blending fashion and art, Sophia El Bahja’s photographs showcase the diversity of Morocco. | Article | - | ||