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Sight and Sound
FilmOffers insightful reviews, filmmaker interviews, star profiles, movie listicles, and industry news from the international film scene.
| Title | Type | Published | ||
|---|---|---|---|---|
| BFI Player’s March 2026 line-up Cronenberg classics, fierce tales of resilience and standout world cinema collide in March’s... | Article | 2d ago | ||
| Josephine: a harrowing child’s eye view of the injustice faced by sexual assault survivors Beth de Araújo’s film about an eight-year-old girl who witnesses a horrific crime is clearly... | Article | 2d ago | ||
| The Testament of Ann Lee: Mona Fastvold delivers an almost spiritual experience in this musical-biopic Unconvincing Manchester accent aside, Amanda Seyfried delivers a brilliant, primal performan... | Article | 3d ago | ||
| April 2026 programme announced: Boxing, Australian filmmaker Peter Weir, trash cinema, and more Alongside previously announced seasons The Cinematic Life of Boxing and Trash! The Wildest F... | Article | 3d ago | ||
| Trash! The Wildest Films You’ve Ever Seen season announced for BFI Southbank From John Waters to Russ Meyer, our celebration of trash cinema includes a new show with cul... | Article | 4d ago | ||
| Collective Monologue: an unconventional and touching portrait of cross-species connection Jessica Sarah Rinland’s experimental documentary on Argentinian zoos and animal sanctuaries... | Article | 5d ago | ||
| Object of the week: The film that launched Benjamin Britten’s Young Person’s Guide to the Orchestra Benjamin Britten’s much-played score The Young Person’s Guide to the Orchestra was first com... | Article | 5d ago | ||
| Rose: Sandra Hüller is quietly mesmerising in this gender-defying German period drama Set in 17th-century Germany, Markus Schleinzer’s witty third feature sees Sandra Hüller adop... | Article | 6d ago | ||
| Inside the Archive #62: Traineeships in the archive Discover a new traineeship opportunity within the Archive Technology team at the BFI Nationa... | Article | 6d ago | ||
| Yellow Letters: Turkish theatremakers face state suppression in this politically-charged Golden Bear winner By Travis Jeppesen | Article | - | ||
| “When you stop shooting, that’s when the best thing is going to happen. You have to persevere”: an interview with Frederick Wiseman By David Jenkins | Article | - | ||
| Rosebush Pruning: strong performances and stylish visuals can’t save this hollow skewering of the ultra-rich By Jonathan Romney | Article | - | ||