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ArtReview, Vol. 78
ArtReview's April/May 2026 issue examines propaganda, resistance, and migration through the lens of the 61st Venice Biennale, featuring work by Japanese-American performer Ei Arakawa-Nash, reporting from Rojava by Turkish artist Zehra Doğan, and critical analysis of how international arts festivals navigate political agendas.
| Title | Type | Published | ||
|---|---|---|---|---|
| Venice Biennale opening marked by protests The 2026 Venice Biennale opened for professionals on Tuesday to a series of protests, with m... | Article | Yesterday | ||
| Miet Warlop on Representing Belgium at the 61st Venice Biennale “Venetians are hardworking and tough people” | Article | Yesterday | ||
| Nicholas Pope, sculptor whose career came in two acts, 1949–2026 The British artist emerged as a minimalist but went on to embrace colour | Article | 2d ago | ||
| Khaled Sabsabi on Representing Australia at the 61st Venice Biennale “Only mass collectivity can really change the world” | Article | 2d ago | ||
| Goen Choi and Hyeree Ro on Representing South Korea at the 61st Venice Biennale “Does an entomologist change the world? Does an air-conditioner repair technician change the... | Article | 2d ago | ||
| Amanda Heng Walks the Walk The Singaporean artist turns everyday gestures into feminist acts that reclaim the body, lab... | Article | 2d ago | ||